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<title>archenemy</title>
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<dc:creator>archenemy</dc:creator>
<dc:date>2021-02-07T15:41:35+01:00</dc:date>
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<dc:contributor>archenemy</dc:contributor>
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<title>angela</title>
<link>http://archenemy.blogs.fr/index.html#a301000</link>
<description>une video + interview</description>
<dc:subject>angela</dc:subject>
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<title>biographie du groupe</title>
<link>http://archenemy.blogs.fr/index.html#a300998</link>
<description>&lt;h3&gt;&lt;img src=&quot;http://www.archenemy.net/news/message_title.gd.php?title_large=Biography&quot; alt=&quot;&quot; /&gt; &lt;/h3&gt;
&lt;p&gt;After causing a significant amount  of damage throughout the world over the past two years with their  doomsday machine, the mighty ARCH ENEMY triumphantly returns with the  definitive offering of their already heralded career. This new  masterpiece, Rise of The Tyrant, is the follow-up to 2005&#039;s Doomsday  Machine, the band&#039;s most successful album to date. They have once again  enlisted the duties of acclaimed producer Fredrik Nordstr&ouml;m (Dimmu  Borgir, In Flames) at Sweden&#039;s Studio Fredman, where the band recorded  all of their albums through Wages Of Sin (2001).&lt;/p&gt;
&lt;p&gt;ARCH ENEMY mastermind Michael Amott (guitars) states: &ldquo;Rise of The  Tyrant, is the ultimate ARCH ENEMY album! To me, it sounds like the  perfect mix of melody and brutality. This disc is an organic and honest  statement from the band - it&#039;s pure f**king metal at its absolute best,  the ARCH ENEMY way.&#65533;? &lt;/p&gt;
&lt;p&gt;In the summer of 2005, the highly anticipated Doomsday Machine, mixed  by the acclaimed Andy Sneap (Killswitch Engage, Nevermore, Opeth),  debuted at #87 on the Billboard Top 200 chart and recently surpassed the  90,000 U.S. SoundScan plateau. This is ARCH ENEMY&rsquo;s highest-charting  effort yet and most acclaimed after being hailed by such mainstream  publications as Billboard and Revolver as their best record yet. The  Doomsday Machine U.S. touring campaign kicked off with a high profile  slot on Ozzfest 2005, where the band stunned thousands of people daily  with their proficient musicianship and live intensity. The group quickly  became one of the most talked about artists of the tour, as they  continually outsold all of their peers each week. The buzz on ARCH ENEMY  grew stronger after Ozzfest wrapped up, and the group made their  much-anticipated return to the U.S. on a headlining tour with All That  Remains that fall. In the spring of 2006, ARCH ENEMY embarked on a  massive Jagermeister sponsored co-headlining bill with Chimaira, God  Forbid and Hate Eternal.  The group closed out the year with a high  profile spot on Gigantour, which marked their fourth and final U.S. run  for the Doomsday Machine campaign.&lt;/p&gt;
&lt;p&gt;Featuring the all-star lineup of Mike Amott (guitars), Chris Amott  (guitars), Sharlee D&rsquo;Angelo (bass) and Daniel Erlandsson (drums), the  group first garnered praise with the metal milestones Black Earth  (1997), Stigmata (1998) and Burning Bridges (1999). These albums were  fueled by flawless dual guitar technical execution and a previously  unheard of mixture of melody and aggression, which helped them quickly  solidify their reputation as one of the genre&rsquo;s elite. &lt;/p&gt;
&lt;p&gt;However, ARCH ENEMY really began to develop their true potential once  vocalist Angela Gossow joined the fold on 2001&rsquo;s critically acclaimed  Wages of Sin album (produced by Nordstr&ouml;m and mixed by Sneap), marking  the first time a band of this caliber and ferocity was fronted by a  woman. The album was bathed in unending universal praise &ndash; from  worldwide front-cover press in national magazines to daily newspapers &ndash;  with Wages Of Sin proudly claiming stake in end-of-the-year &ldquo;Best  Of...&#65533;? lists. The metal underground also demonstrated a faithful  display of allegiance to the new line-up, as Metal Maniacs hailed the  album as &ldquo;a relentless, eclectic and wholly charged album to keep even  those with the shortest musical attention spans entertained.&#65533;? Further  accolades soon followed as North America&rsquo;s Alternative Press quickly  identified ARCH ENEMY as one of the five bands who exemplify &ldquo;the sound  of things to come&#65533;? in 2002. This claim would soon prove itself  prophetic during the band&rsquo;s performances at Japan&rsquo;s Beast Feast, the  Milwaukee Metalfest, the New England Metal &amp; Hardcore Festival, a  North American tour supporting Nile, their own headlining North American  tour and six sold-out dates in Japan.&lt;/p&gt;
&lt;p&gt;The band&rsquo;s 2003 effort, Anthems of Rebellion, was immediately hailed  as a metal masterpiece. It was their second offering with Angela, touted  by Metal Edge as &ldquo;one of the most promising talents in years.&#65533;? The  record proved to be a landmark release for Century Media, as it  delivered the label its then-highest first-week U.S. SoundScan sales  ever on the way to becoming one of its 10 best-selling albums of all  time. Press raves continued to pour in, as Anthems scored an  unprecedented 5/5 in both Alternative Press and Kerrang! while going on  to land the #1 album of 2003 in Metal Maniacs Readers&rsquo; Poll, earning  them staunch recognition and high-profile U.S. tours with such acts as  Slayer, Hatebreed, Cradle Of Filth and the legendary Iron Maiden.&lt;/p&gt;
ARCH ENEMY will make their much-anticipated return to the U.S. in the  fall of 2007 as Rise of The Tyrant ultimately redefines the genre they  helped to create.</description>
<dc:subject>biographie du groupe</dc:subject>
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